Trailers

21 posts

McQueen | Review

Most people aren’t interested in fashion or those designers who make fashion famous.  Most people will however recognize the name Alexander McQueen; the young protege who was as famous for making avant guard clothing as well as living an equally avant guard lifestyle and who at the tender age of forty would succumb to taking his own life having reigned as one of the most influential and original artists of our time
McQueen is a compelling and engaging must-see documentary about Lee Alexander McQueen who was born and raised in an East London working class neighborhood.  Lee as he was better known to his friends and family was likely predestined to have become a plumber, brick layer or cab driver like his father as opposed to one of the creators of the “Cool Britannia” movement that combined fierce romanticism and punk poetry in the 90s making him a reigning and sometimes controversial King of style.  This rags-to-riches story told through archival footage and by those people who knew and loved him to a fault show a thrilling portrait of a complex man who was equally talented and burdened emotionally.
McQueen is equal parts inspiring, sad and haunting and manages to provide a glimpse behind the curtain of a competitive and complicated world where reputation seems to be as important as the end product.  Filmmakers Ian Bonhote and Peter Ettedgui do an incredible job of showing a unique account of someone obsessed with drawing clothes to McQueen’s meteoric rise as the top designer at the house of Givenchy in Paris.
What is perhaps most impressive about this documentary other than seeing the creation of beautiful clothing (that will forever be remembered as art) is the story behind the creator himself and just how the genius came to be.
“The most important question we wanted to answer was how this shy working class young man with no connections became Alexander McQueen” says Eddegui.  Well, they certainly succeeded.
McQueen will open in San Diego at the Hillcrest Cinema on August 10 2018, check local listings for show times in other Cities

Strike A Pose | Review

There are few pop songs that are as memorable as Madonna’s1990 hit VOGUE and along with it the iconic video that brought Voguing as a dance form into the mainstream conscience.  Jose Gutierez Xtravaganza and Luis Extravaganza were the vogue dancers and choreographers from the Harlem “House Ball” community who introduced “Vogueing” to Madonna and who later would become her main choreographers for the video and the Truth or Dare tour.
 
If you grew up in the era of MTV, not only will the words STRIKE A POSE make you wave your arms in the air and perhaps stick out your butt but this is also the name of the acclaimed documentary directed by Ester Gould and Reijer Zwaag abut seven young male dancers  (including Jose and Luis) – six gay, one straight who joined Madonna on her most controversial tour.  On stage and in the iconic film TRUTH OR DARE – one of the highest-grossing documentaries ever – they showed the world how to “Express yourself”, now, twenty-five years later, they reveal the truth about life during and after the tour. 
 
STRIKE A POSE is a fabulously candid documentary that reunites these sleek and effervescent dancers, exploring their lives after the tour and legal battles with Madonna, their glamorous and largely inspirational impact upon society, the horrific effects of HIV/AIDS during and since the 90’s and what it meant to participate in one of the most iconic and controversial tours of pop history. The film also explores what it’s like to overcome shame and find the courage to be who you are.
 
Watching people age over time is always a luxury and so this movie does a wonderful job of showing the promise that was and where these incredible dancers ended up.  As important as the story of the star is the story of those who get to bask in the fairy dust for a short period of time; It is clear that Madonna made a huge difference in these men’s lives and the short intense formative period of time that they spent with her was extremely meaningful for these men that left a long lasting effect.
 
The movie isn’t just a “Where are they now”, at times, it manages to go deep and uncovers the realities of youth, disease and even what the dark aftermath of fame (by association) can feel like.  Watching the genuine love and respect that remains between this group of talent after all of these years is beautifully captured and of course THAT song in the background will have you tapping your toes and clicking your fingers if not striking your own pose.
Following critical acclaim and successful premieres in Berlin and Tribeca, STRIKE A POSE comes to New York for its theatrical release at IFC on January 18, 2017, followed by its broadcast premier, an exclusive VOD release, and a home video release later in June to celebrate LGBTQ Pride month.  Check local listings: http://madonnadancers.com/req.php?req=static.php&page=where-to-see
 
 

Septembers of Shiraz | Review

If you are feeling a touch of summer sequelitis and looking for something powerful and thrilling to watch then SEPTEMBERS OF SHIRAZ is an important must see movie.

Set during the 1979 revolution in Iran SEPTEMBERS OF SHIRAZ is the harrowing story of a secular Jewish family as they fight for their lives in an attempt to escape what is going on around them.  Based on true events with poignant and affective performances by Academy Award® winner Adrien Brody, and Academy Award® nominees Salma Hayek-Pinault and Shohreh Aghdashloo, SEPTEMBERS OF SHIRAZ illustrates the impact of political upheaval on ordinary people and gives us an incisive examination of a troubled moment in history.

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Expertly directed by Wayne Blair this movie brings droves of tension in what ultimately becomes an adrenalin charged cat-and-mouse battle of wills.  SEPTEMBERS OF SHIRAZ is moving and both topical and relevant to current world events.  In revealing what many families sadly encountered over 35 years ago, the genius of this movie lies in its ability to relate the events of that time to experiences that are tragically being suffered by many in a number of countries around the globe today.

The movie cleverly reminds us that the victims of one political party’s agenda versus another are the very people who are promised their protection whilst the accompanying pollution of such communities who ultimately get divided by religion, class and economic factors often end up being the casualties of promised revolutions.

SEPTEMBERS OF SHIRAZ is adapted by screenwriter Hanna Weg from Dalia Sofer’s bestselling novel.
SEPTEMBERS OF SHIRAZ opened in New York, Los Angeles, and additional cities on Friday, June 24, 2016.  please check local listings

Moonwalkers | Review

I LOVE conspiracy theories, Who killed JFK, Area 51 and of course one of my all time favorites The Apollo Moon Landing of 1969.

So what if Apollo 11 never actually made it and what if, in reality, Stanley Kubrick secretly shot the famous images of the moon landing in a studio, working for the US administration?

MOONWALKERS_Theatrical Poster

This is the premise of the totally plausible conspiracy theory movie MOONWALKERS written by Dean Craig and directed by Antoine Bardou-Jacquet that takes us to swinging sixties London, where a stubborn CIA agent played by the delightful Ron Perlman (HELLBOY) will never find Kubrick but instead is forced to team up with the ever adorable Rupert Grint’s (HARRY POTTER) lousy manager of a seedy rock band to develop the biggest con of all time, in this riotous, high-tempo action-comedy.

Of course It’s a strange set of circumstances that lead our protagonists to meet, including one of their idiot friends who has a tendency to royally screw things up but when they do, there is undeniable chemistry between the pair and a sweetness mainly with the introduction of Robert Sheehan (THE MORTAL INSTRUMENTS, KILLING BONO) as the idiot friend who is equally huggable and slappable at the same time that forms the foundation of this recreational drug-induced caper of unbelievable proportions.

From it’s innovative psychedelic titles to the groovy sixties production, MOONWALKERS is a really fun and enjoyable movie which is both silly and thought provoking at times with great action and comedy.  Full of 70s clichés and nuanced yet likable bad guys on every corner, our anti-heros (complete in funky and colorful costumes), lead us from one absurd scene to another on their journey to complete an equally bizarre yet extremely important task

“The film is an action/comedy that combines what I love: fights and stupidity. I enjoy situations where two opposite characters must join forces to accomplish a common goal as it leads to the most hilarious conflicts” states Bardou-Jacquet

As trippy as the era it’s representing, this comedy of errors reminds us of the unresolved question that still plagues many of us after all these decades; was the moon landing real?

“Why would an audience be interested in a movie like this?  Bardou-Jacquet continues “Google “moon landing,” and add up the viewers interested in the conspiracy theory about it, and you’ll find millions of hits. All these people deserve at last the true story of how we “never” landed on the moon”

Of course, it also had me thinking about who would actually win in a standoff between America’s supreme CIA agents and England’s finest thugs?

MOONWALKERS enjoyed it’s premier at SXSW 2015 and will be released on January 15th.  Check local listings

The Riot Club | Review

Riot Club is no Downton Abbey however, it cleverly explores class, gender and economics in a modern-day England where the existence of a privileged “Old Boy’s Network” is often under-estimated.

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Filthy. Rich. Spoiled. Rotten. A band of overprivileged rich boys run wild in this savagely funny satire of money, sex and power. In the elite realm of Oxford University, no society is more exclusive than The Riot Club, the ultra-selective fraternity for Britain’s most privileged sons. When he’s recruited to join, down-to-earth first-year student Miles (Max Irons) is at first amused—but he’s about to get a taste of upper-crust entitlement at its ugliest when a hedonistic night of drinking and drugs spins out of control. The Hunger Games’ Sam Claflin co-stars in this deliciously dark look at boys behaving badly from the Oscar(R)-nominated director of An Education Lone Scherfig.  The movie is adapted for the screen by Writer Laura Wade from her play of the same name citing: “I think we are fascinated by that class, those of us who aren’t of it and I think we love watching rich people behaving badly”.

When all over the world the British Monarchy are loved and the presence of them almost envied, Riot Club explores the “Haves” and “Have little” along with the politics of the one percent in a country where young affluent boys are the heirs to debauchery, power, excess and a consequence of who they are born to vs what they will or won’t achieve; where as a result of deep routed nepotism, your family name can open up a lifetime of doors and quickly bury any of your mistakes should you make them.

Entitlement and breeding are a key theme throughout the movie as it explores rich boys behaving badly and rich boys who want to do something more than be known for who their Fathers or brothers are.  Palpable tension is at work throughout as this group of would-be playboys work incredibly hard to have a good time and leave a legacy.

Riot Club starts as a smart satirical comedy but quickly gets dramatic as ideas about right and wrong are pushed to the limit.  Sometimes a little tonally inconsistent, this movie does do a good job of examining what it means to belong and the limits you go to in order to protect it.  A look at life behind the walls of an age-old institution with often strange rituals, ultimately what I took away from this movie is that there are no limits to entitlement and the fact that often it’s not what you know but who you know

Check local listings for show times

Riot Club Trailer

Summer of Blood | Review

Halloween is upon us and with it comes a slew of scary movies; “Annabelle” “Dracula Untold” and “Horns” just opened or are about to.  However, if you are not a die hard fan of having your adrenaline levels peak in the dark or find that a good nights sleep escapes you after getting the bejeezus scared out of you then this may just be the movie for you.  Welcome to Summer of Blood

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Writer/director Onur Tukel turns in a hilarious performance as the monumentally lazy, socially oblivious and commitment-shy Erik Sparrow, who is dumped by his career-woman girlfriend (Anna Margaret Hollyman, White Reindeer) when he rejects her rather charitable marriage proposal. Feeling lost, he turns to a disastrous string of online dates that successively eat away at his already-deteriorating confidence until a lanky vampire turns him into an undead ladykiller. Soon, Eric is prowling the streets of Brooklyn in search of anything to satisfy both his maniacal sex drive and his hunger for blood.

Despite the fact that Eric is such a misogynist loser, Tukel shows skill in making the main protagonist incredibly likable; I couldn’t help but be on his side.  Helped by the witty dry comedy which runs through the movie both Eric and the rather ridiculous plot had me smiling and chuckling for the entire movie including a few belly laughs thrown in here and there.  The dialogue is hammy in places but mostly clever and smart and there is an interesting narrative about the lives we lead if you look for it. Anna Margaret Hollyman who plays Eric’s love interest plays her role perfectly, equally lovable and annoying all at the same time and is impressive in her ability to detest Eric so convincingly.

Summer of Blood is by no means as polished as other undead offerings like “Twilight” or “True Blood”  in fact at times at times this movie looks rather amateurish and even homemade, but that doesn’t make it bad.  I believe this hard working movie could turn into an underground cult classic in due course and I will certainly be lining up to watch this one again

Described as a horror comedy horror, this is more comedy than horror and definitely not a horrible comedy by any means.A collision of absurd, self-deprecating wit and existential curiosity, Summer of Blood is a hilarious horror-comedy with a clever bite all its own that starts with one of the best break up scenes ever right at the beginning of the movie and is definitely worth a watch

The film is releasing this Friday October 17th in select theaters and VOD.  Check local listings for a screening near you