Sneak Peek

Le Week-End | Review

Having just returned from a vacation in the city of lights, I was both excited and delighted to watch the latest offering from Director Roger Michell (Notting Hill, Hyde Park on Hudson) and writer Hanif Kureishi (My beautiful Launderette, The Buddha of Surburbia) Le Week-End starring the inimitable Jim Broadbent, Lindsay Duncan and Jeff Goldblum. 

Broadbent and Duncan play a long-married couple Nick and Meg who revisit Paris for a long weekend for the first time since their honeymoon, in hopes of rekindling their relationship-or, perhaps, to bring it to an end.  Nick is reticent and wistful whilst Meg is demanding and take-charge.

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The movie excels at showing the couple flip-flop between harmony and disharmony to resignation and back again as they take stock and grapple with love, loss, regret and disappointment in their own very English way.  Tensions rise even further when Meg and Nick run into Nick’s insufferably successful old friend Morgan, an American academic superstar with a fancy Parisian address played by the delightful Jeff Goldblum.

The one thing that elevates this movie is watching veterans of the craft mastering subtle yet impactful acting.  I very much felt like a fly on the wall following Jim Broadbent and Lindsay Duncan playing a couple who have clearly had many decades together.  Their incredible chemistry even when they are fighting is mesmerizing to watch and I couldn’t decide whether I was routing for them to stay together or willing them to break apart.  Just at the point when you begin to feel a little more uncomfortable about being present during this couple’s unraveling, Jeff Goldblum brings some respite in the form of comedy.  His quirky yet intriguing character is just what we need as we need as we head into act three

Hanif Kureishi’s wonderfully poetic screenplay is admirable to watch.  Filled with witty dialogue and heartfelt conversation, this adds a layer of richness to this already beautifully performed movie

Overall, I enjoyed my weekend with this couple although I felt the movie was just shy of greatness.  Higher highs and lower lows would have made elevated this movie from very good to excellent.

Le Week-End will be will be opening on Friday 14 March at The Landmark in West L.A. and Angelika NY, Lincoln Plaza in New York.  Check local listings

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The Mule | SXSW 2014

What would make you carry twenty condoms full of narcotics in your stomach? My automatic answer to this question was “Nothing”, but what if your families’ life was at risk if you didn’t? Welcome to the movie The Mule.

the-mule-poster-404x600Written, directed and starring Angus Simpson with the help of a few others, The Mule set in an 80’s Australia is based on a true story that tells of an innocent rather stupid and simple man called Ray Jenkins (played by Angus Sampson) who gets caught up in a drug smuggling scheme after he wins a yearly award at his local football club

Swallowing around 20 condoms full of narcotics, Ray almost makes it home before he nervously loses his cool in front of security, landing him in a nearby motel so the drugs can flush out of his system. Under the watchful eyes of Detective Croft and Detective Paris, Ray struggles to keep his secret hidden, inflicting bodily harm by avoiding deification. Can Ray keep himself out of jail by swallowing more than his pride, or will the drugs make their appearance in the filthiest of ways?

Regular listeners of the Moviewallas podcast will know that some of my favorite movies are Australian; indeed I own my own copies of Strictly Ballroom and Muriel’s Wedding which are well worn by now. So it stands to reason that I was equally fascinated, disgusted and thoroughly entertained by the movie The Mule. Beware though; the toilet humor in this movie is like none that I have ever seen before and definitely not for the faint hearted.

Brilliant acting by an incredible cast including Hugo Weaving, Leigh Whannell (who also shares writing credits) and Ewen Leslie elevate this movie from a good black comedy to an incredibly smart and surprising dramedy which will have you sitting on the edge of your seat as you try to figure out how it will all end for poor Ray. The twists and turns are not predictable and the story is original, if it wasn’t based on a true story, I would think it was unbelievable. This mule is definitely worth a ride if you can get your hands on it. the-mule-slice

SXSW 2014 IS IN FULL SWING AND I’M LOVING IT

SXSW is now in full swing and as a result, we have been soaking up atmosphere, good barbeque and above all else MOVIES!!!

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SXSW Film has grown year-upon-year and this year over 130 movies were on offer to us.  Expertly chosen and programmed, the festival brought together small and large studios, independent and mainstream films, first time directors and seasoned veterans of the industry. To be honest, it was difficult to choose what to see, but I’m happy to say of the Seventeen movies I watched, all offered something unique and memorable. One of the most memorable things for me though is always the opportunity to interact with the moviemakers themselves which always provides depth and dimension to what you’ve just watched

WILD CANARIESWILD CANARIES: When their elderly neighbor suddenly drops dead, a newly engaged couple investigates signs of foul play.

Barri (Sophia Takal) and Noah (writer-director Lawrence Michael Levine), a newly engaged Brooklyn couple, are disheartened by the death of their elderly downstairs neighbor, Sylvia. Though Noah sees nothing unusual about the old woman’s death, Barri suspects foul play and sets out to investigate, enlisting her roommate Jean (ARRESTED DEVELOPMENT’S Alia Shawkat) to join her on a reconnaissance mission to trail a possible suspect. Tensions mount, however, when the investigation uncovers unsettling secrets throughout the building—including in their own apartment—and suddenly everyone seems like a reasonable suspect. Boasting a stellar supporting cast including Jason Ritter (PARENTHOOD), Kevin Corrigan (THE DEPARTED), and Annie Parisse (THE FOLLOWING), WILD CANARIES is a freshly comedic take on classic film noir. This movie had a lot of promise that didn’t unfortunately deliver. Disappointing for a number of reasons including a confusing and overcooked plot made this difficult to watch and follow. The tonality changed from scene to scene giving me whiplash at times and the hammy dialogue and rather poor overacting made me feel like I was watching a first year film school project.
You know you should leave the theatre when one of the main protagonists wears a large hat and even larger sunglasses and thinks they are unrecognizable in modern day New York. Woody Allen’s Manhattan Murders did this way better and testament to the fact that if you can’t do it better, leave it alone.

VESSELvessel: A fearless sea captain sails a ship through loopholes in international law, providing abortions on the high seas, and leaving in her wake a network of emboldened activists who trust women to handle abortion on their own terms.

Vessel begins with a young doctor who lived by the sea, and an unlikely idea. Rebecca Gomperts, horrified by the realities created by anti-abortion law around the world, felt compelled to challenge this issue; her method: provide abortions on a ship in offshore waters.

Her project, Women on Waves, begins as flawed spectacle, a media frenzy, faced with governmental, religious, and military blockade. But with each roadblock comes a more refined mission, until Rebecca has the revelation that she can use new technologies to bypass law – and train women to safely give themselves abortions using WHO-sanctioned protocols with pills.

From there we witness her create an underground network of emboldened, informed activists, working at the radical cutting edge of global reproductive rights, who trust women to handle abortion themselves. Vessel is Rebecca’s story: one of a woman who heard and answered a calling, and transformed a wildly improbable idea into a global movement.

This is a must see documentary not only because the subject matter is so polarizing but because this really is about a remarkable woman who wants to change the world and is doing so for the thousands of women who she provides assistance to. A well-made account over a period of years, Rebecca Gomperts resolve is unfaltering and enviable. In person, she is as enigmatic and convincing and received a standing ovation at the end of the movie. I’m not sure that the movie will change your mind or position on abortion, but it will prove to you the difference that one person can make and the lengths that people will go to in order to stand up for what they believe in. What I liked most about this movie was the fact that people on both sides of the argument chose to march to the steps of Austin’s parliamentary building following the movie

print the legendPRINT THE LEGEND: 3D printing is changing the world – from printing guns and human organs to dismantling the world’s industrial infrastructure by enabling home manufacturing. It’s “the next Industrial Revolution.”

For the first time in history, the stories of the human beings building an industry have been filmed. The result: Print the Legend which follows the people racing to bring 3D printing to your desktop and into your life. For the winners, there are fortunes – and history – to be made.

Print the Legend is both the definitive 3D Printing Documentary – capturing a tech in the midst of its “Macintosh Moment” – and a compelling tale about what it takes to live the American Dream in any field.

Hands down, this was one of my favorite documentaries of the festival. It even feels strange seeing that in print (uh no pun intended). No really, who thought that a documentary about 3D Printers would rise to the top of my must see list? Well, its because Print the Legend is more than just a movie about the 3D printer itself, this documentary expertly explores a number of themes like friendship, the race for market domination and what happens when a bunch of enthusiastic young extremely clever young men become poisoned by investors and narcissism and we are able to watch the pollution of an American dream. I’m not sure any of us could imagine what it feels like to have to fire your best friends and former co founders, yet we follow this very thing happening and the impact it has on all of those involved. Better than most soap operas, this documentary really will have you on the edge if your seat wondering which company and technology will reign superior in the end. Add to this a charming and controversial fellow who creates videos showing step-by-step instructions to print your very own 3D gun. An explosively smart and engaging look at an industry that is still in it’s infancy and the way in which it may change our world forever with a colorful and entertaining cast of characters who are forerunners in the race. It’s true, Nerds will rule the world but whilst we wait for that to happen watch Print the Legend which will be available on Netflix in 2014. In addition this movie won the 2014 SXSW Film Festival’s special jury recognition award for editing and storytelling in the documentary feature category.

unicornsI BELIEVE IN UNICORNS: Davina is an imaginative and strong-willed teenage girl who often escapes into a beautifully twisted fantasy life. Having grown up quickly as the sole caretaker of her disabled mother, she looks for salvation in a new relationship with an older boy. Davina is swept into a whirlwind of romance and adventure, but the enchantment of her new relationship quickly fades when Sterling’s volatile side begins to emerge. I Believe in Unicorns takes us on a road trip through the stunning and complex landscape of troubled young love.

It would be easy to dismiss this movie as yet another coming of age movie but there is a tragedy and sweetness about the way in which this particular coming of age movie is executed that I haven’t seen often and a depth that is seldom seen as we follow a young girl caring for her very disabled parent. The movie is elevated by two great performances by the two main protagonists played by mesmerizing Natalia Dyer and Peter Vack who capture the impetuousness of young love so perfectly. Yes, there are some huge plot holes and we are asked to take some huge leaps of faith in order to make it to the end of the movie but I think this movie will stay with you long after the credits have run

The Infinite Man | SXSW 2014

What would you do if you could time travel? This is a question I have often asked myself and even fantasized about many times, so when an opportunity presents itself to watch a movie about the subject, of course I’m not only going to be excited about watching such a movie but I’m also going to have high expectations about it.

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Disappointment then is definitely not a word I will use to describe the movie The Infinite Man which is written and directed by Hugh Sullivan and stars Josh McConville, Hannah Marshall, Alex Dimitriades and is about a man’s attempts to construct the ultimate romantic weekend. However when his plans backfire his quest for perfection traps his lover in an infinite loop.

Like all memorable Sci fi movies, at it’s core, this is a love story…well sort of; what I mean to say is that all great Sci fi movies reach elevated heights because they eventually become about mundane things that we can all relate to in our everyday lives despite the fact that they are asking us to buy into a totally implausible idea or concept.Well written, brilliantly constructed and exceptionally acted, I laughed, empathized and cried at some point during this movie but I was always entertained and enthralled unable to predict how this mess would end. The Infinite Man captures perfectly the feeling of being in love and that of being consumed by another whilst taking us to the brink of hysteria and obsession all within the perfect rules of the time travel world that it creates.

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How life actually is vs. what we believe or wish it to be is examined in such a smart, quirky and sweet way. Borrowing cleverly from movies like Eternal Sunshine of the Spotless Mind and Groundhog Day, Hugh Sullivan has created something tragic, memorable and incredibly romantic in one package. I believe this movie will stay with me for a long time and hope that it quickly finds it’s way to a general release

 

Chef | SXSW 2014

SXSW 2014 is underway and this evening we were treated to the headline movie of the day Chef written, directed and starring the extremely talented Jon Favreau.

Chef tells the story of Carl Casper who suddenly quits his job at a prominent Los Angeles restaurant after refusing to compromise his creative integrity for its controlling owner (Dustin Hoffman). As a result, he is left to figure out what’s next. Finding himself in Miami, he teams up with his ex-wife (Sofia Vergara), his friend (John Leguizamo) and his son to launch a food truck. Taking to the road, Chef Carl goes back to his roots to reignite his passion for the kitchen and zest for life and love.

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With Food trucks ever popular these days, this is an interesting story about a disillusioned chef at the top of his game who takes to the road to find his mojo again and although the film is very sweet at times mainly due to the wonderful relationship and good acting by the youngest cast member Emjay Anthony who plays Favreau’s son, the flavor of this movie at times is rather confused and overdone. A good example of one too many ingredients that leaves you feeling like you couldn’t manage another spoonful.

Jon Favreau deserves props however for capturing the essence of the quintessential chef, tattooed arms, large frame and a brusque Emeril type character whose kitchen is a delight of plastic bottles filled with exciting colorful concoctions. This along with large amount of food porn that is amazing to watch for those of you who are food lovers keeps you entertained for most of the movie.

Short appearances which feel like amuse bouche by Scarlett Johansson, Dustin Hoffman and Oliver Platt are like visits with old friends that whet our appetites but it is a great performance (although not long enough) by the ever talented Robert Downey Junior which is the cherry on the cake in my opinion.

Overall the message of the movie is a worthy one that reminds us to be true to ourselves and that success will come to those of us that work hard and care about what we do. Unfortunately for me however, this didn’t satiate my appetite overall, and left me feeling like I’d chosen the wrong entree

Open Road will release Chef on May 16.

The Most Wonderful Time of the Year; Oscar Nominated Shorts | Review

It’s the most wonderful time of the year.  No, I’m not talking about the holidays, I’m talking about the yearly ritual that us film lovers and movie geeks get to indulge in which requires taking a trip to watch the highly coveted series of Oscar Nominated Shorts at the local cinema.

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Oh I how I look forward to this annual treat where I go with my fellow Moviewallas and get to spend a delightful afternoon watching ten of the best shorts Animation and Live action Features; two separate programs with a short break in between.  This year a special pleasure for me, I got to watch five incredible documentaries too.

This collection of shorts representing filmmaking in 2013 is no different to any other year in that the Oscar nominated shorts is an opportunity to watch bite size nuggets of incredible film making from a variety of talented filmmakers from around the world.  Only I am shocked that year upon year the standard gets better and better.

In the live action category:

“Aquel No Era Yo (That Wasn’t Me)” (Director: Esteban Crespo, Spain/Spanish). Synopsis: Paula, a Spanish aid worker, has an encounter with an African child soldier named Kaney.

“Avant Que De Tout Perdre (Just before Losing Everything) (Directors: Xavier Legrand and Alexandre Gavras, France/French). Synopsis: Miriam has left her abusive husband and taken refuge with her children in the local supermarket where she works.

Helium” (Directors Anders Walter and Kim Magnusson, Denmark/Danish). Synopsis: A dying boy finds comfort in the tales of a magical land called HELIUM, told to him by the hospital janitor.

“Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)” (Directors: Selma Vilhunen and Kirsikka Saari, Finland/Finnish). Synopsis: Sini tries frantically to get her family ready to leave for a wedding, but her husband and two children are interfering with her efforts.

“The Voorman Problem” (Directors: Mark Gill and Baldwin Li, UK/English). Synopsis: A psychiatrist is called to a prison to examine an inmate named Voorman, who is convinced he is a god.

This a rare occaision when I am glad I don’t have to vote for a winner since If I had to pick one, I couldn’t.  I was fascinated by That Wasn’t Me, sat on the edge of my seat as the riveting drama of Just Before Losing Everything played, laughed at Do I Have to Take care of Everything, pondered existential questions whilst watching The Voorman Problem and even shed a tear or two during Helium

 I could have spent way more time with any one of these five movies given the deep well rounded characters and back stories each presented that merit full movies of their own.

For the Animated shorts, this season brings us:

“Feral” (Directors Daniel Sousa and Dan Golden, USA/Non-dialogue). Synopsis: A wild boy who has grown up in the woods is found by a hunter and returned to civilization.

“Get a Horse!” (Directors: Lauren MacMullan and Dorothy McKim, USA/English). Synopsis: Mickey Mouse and his friends are enjoying a wagon ride until Peg-Leg Pete shows up with plans to ruin their day.

“Mr. Hublot” (Directors: Laurent Witz and Alexandre Espigares, Luxembourg/France/Non-dialogue). Synopsis: The eccentric, isolated Mr. Hublot finds his carefully ordered world disrupted by the arrival of Robot Pet.

“Possessions” (Director: Shuhei Morita, Japan/Non-dialogue).  Synopsis: A man seeking shelter from a storm in a dilapidated shrine encounters a series of household objects inhabited  by goblin spirits

“Room on the Broom” (Directors: Max Lang and Jan Lachauer, voices by Simon Pegg, Gillian Anderson, Rob Brydon in UK/English). Synopsis: A genial witch and her cat are joined on their broom by several friends as they set off on an adventure

The animation shorts for me represent a vast array of style, story and genre even.  Whilst watching we are reminded by those super smart and talented people at Disney that there is always room in your heart to let in a fresh Mickey Mouse Adventure. In Get a Horse, Mickey and his pals return in this old/new caper.  This time however our eyes get to feast on incredible technology that combines black and white with color and 2D with 3D type animation.  Room on a Broom is a sweet modern day fable told in verse that had me smiling from ear to ear; a special treat for animal lovers.  Atypical subject matter for a traditional cartoon, in Feral and Possessions which to me represent more adult type themes and style and finally a cute futuristic tale called Mr Hublot  which at it’s core is represents a beautiful tale of a man who rescues a dog but realizes in the end that it is he who has been rescued.

Again, a wonderful gaggle of talent collected under the umbrella of animation and if you weren’t  lucky enough to catch The Blue Umbrella when it played as an appetizer to last year’s Disney/Pixar’s Monster’s University, it plays in the  “highly commended section” in this program.  Despite the number of times I see The Blue Umbrella, I can’t help but marvel at the human like emotion that is generously created by Pixar and I always have a lump in my throat when the credits run.

 

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I love the action shorts and the animations, but I am a documentary lover at heart and so the documentary shorts were an absolute treat for me to watch.  This year’s entries:

“The Lady in Number 6: Music Saved My Life” (Directors: Malcolm Clarke and Nicholas Reed, Canada/USA/UK – English). Synopsis: At 109, Alice Herz Sommer is the world’s oldest pianist…and its oldest Holocaust survivor. At the heart of her remarkable story of courage and endurance is her passion for music.

“Karama Has No Walls” (Director: Sara Ishaq, UAE/UK/Yemen – Arabic). Synopsis: When protesters in Yemen added their voices to those of other nations during the Arab Spring, the government responded with an attack that left 53 people dead and inspired widespread sympathy throughout the country.

“Facing Fear” (Director: Jason Cohen, USA/English). Synopsis: As a gay 13-year-old, Matthew Boger endured a savage beating at the hands of a group of neo-Nazis. Twenty-five years later, he meets one of them again by chance.

“Cavedigger” (Director Jeffrey Karoff, USA/English). Synopsis: New Mexico environmental sculptor Ra Paulette carves elaborately designed and painstakingly executed sandstone caves, driven by an artistic vision that often brings him into conflict with his patrons.

 “Prison Terminal: The Last Days of Private Jack Hall” (Director: Edgar Barens, USA/English). Synopsis: In a maximum security prison, the terminally ill Jack Hall faces his final days with the assistance of hospice care provided by workers drawn from the prison population.

By far, the most difficult category to judge, I was incredibly moved and inspired by The Lady in Number 6: Music Saved My Life.  Angered by an astonishing tale of the human spirit and the importance of revolution in Yemen’s account of the Arab Summer in Karama has no Walls, challenged and troubled by both Facing Fear and Prison Terminal: The Last Days of Private Jack Hall which made me question my own prejudices and preconceived ideas and intrigued by the account of the environmental sculptor Ra Paulette and his cave digging antics in the aptly titled Cavedigger

So there you have it.  If you have never seen an Oscar short program, I strongly urge you to rush out and watch and if you love movies and have seen a Short program, I urge you to rush out and see this year’s nominees, given the standard is exceptional, in either case, you will not be disappointed, I certainly wasn’t and look forward to next year’s most wonderful time of the year again with baited breath

The Oscar Nominated Short Films 2014 open nationwide this Friday, January 31st

In San Diego, the Live Action and Animated programs will open at the Landmark Ken, In Los Angeles the Live Action and Animated programs will open at The Nuart in West L.A. and in Orange County at the Regency South Coast Village 3.

Please see local listings or the link below to find a cinema near you

http://shorts.tv/theoscarshorts/dates-locations/

What’s in a Name | Review

How many times have you heard the phrase “If you want to stay friends with someone, stay away from religion or politics”?  Well, in the movie What’s in a Name, we get to experience both during an intimate evening with a group of family and friends.  Written and directed by the talented duo Alexandre de la Patelliere and Matthieu Delaporte who adapted this delightful film from their highly successful stage play, What’s in a Name tells the story of a slick real estate agent Vincent who is about to enter into fatherhood. During a dinner with family and childhood friends he announces the name of his future son, however a discussion about the scandalous moniker explodes into a feisty debate that brings the group’s past bubbling to the surface albeit with hilarious, dramatic and altogether unbelievable results.

WhatsInANamePoster

What’s in a Name is an enchanting heart warming and often too realistic window into how relationships with family and friends evolve over time.  It explores the roles we play in a group and the grudges and opinions we harbor about each other that most of us never share.  Just what would happen if we could tell others what we really thought about them and their life choices?

Natural and convincing performances from a talented cast including Patrick Bruel, Valérie Benguigui,  Charles Berling,  Guillaume de Tonquedec and Judith el Zein elevate this movie from a family melodrama into a witty and surprising black comedy that makes you feel like you really are that fly on the wall of this rather dysfunctional yet clearly affectionate group of people who argue with each other like it’s a national sport.  The smartness of this movie is further showcased by its ability to share Parisian life and attitudes to class, sexual orientation and political leanings.

The dialogue is witty, punchy and hard hitting at times but you are never far from a smile, a giggle or belly laugh whilst being equally moved by the writers’ ability to distill human behavior and basic emotions that if allowed to come to the surface reduce us all to six year olds in a playground

This charming movie, which has already been a huge hit in France, will be opening in theatres in the US on Friday 13th December and will also be available on VOD.  Check local listings

https://itunes.apple.com/us/movie/whats-in-a-name-le-prenom/id625282414?ign-mpt=uo%3D4

 

The Good Road | Review

Just what does it take to become India’s entry for the best foreign film category at the Academy Awards 2013?  Well, you have to beat out 21 other contenders as newcomer filmmaker Gyan Correa’s film The Good Road has done and in doing so is perhaps the first Gujarati film to have made it.  Produced by the National Film Development Corporation (NFDC) The Good Road albeit a little controversially has left behind strong films including “The Lunchbox”, “Bhaag Milkha Bhaag”, “English Vinglish”, “Vishwaroopam”, Malayalam film “Celluloid” and Bengali film “Shabdo”.

Correa’s debut movie is an interesting intertwining of three separate stories all set on a highway in Gujarat that come together in a thought provoking climax.  A truck driver called Pappu (Shamji Dhana Kerasia) and his side kick (Priyank Upadhyay) are given a task which is not so legal, a middle class family from Mumbai (Ajay Gehi and Sonali Kulkarni) are holidaying in Gujarat with their young son (Keval Katrodia) and a young girl (Poonam Rajput) who is on her way to meet her grandmother unfortunately loses her way and finds herself lured into a roadside brothel.

What the film lacks in depth, is totally compensated for by the Colorful and often breathtaking cinematography care of Amitabha Singh; gaily dressed village women contrasted against a white salt plain, gaudily painted trucks along the highways & vibrant life-filled rest stops and stunning sparse vistas of the Gujarat which are all set to hauntingly beautiful acoustic Gujarati folk music

What I admired most about the movie though was the social narrative that Correa manages to evoke; child prostitution, the class system and the struggles of an often-stressed working class.  In addition, the tension created throughout the movie is often intolerable as we watch the decisions of each of the characters play out hoping that nothing too bad will happen to them.  Correa who wrote and directed the film also chose to cast locals in the movie, a great decision in my opinion since they add to the authenticity of the movie

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The Good Road may not win the Oscars, however it is a journey that will stay with you for some time

The Good Road will be the closing film at The South Asian International Film Festival, presented by HBO running from December 3rd through the 8th

 

Wadjda | LAFF 2013

In a country where cinemas are banned and women cannot drive or vote, WADJDA is a movie of firsts. The first feature film shot entirely in Saudi Arabia and the first film to be written and directed by a Saudi woman Haifaa Al-Mansour.  Al Mansour has broken many barriers with her new film and no doubt as it did for me, this film will remain with you long after the closing credits have rolled.

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At a high level the story is simple, Wadjda tells the story of a young girl living in a suburb of Riyadh determined to raise enough money to buy a bike in a nation that sees bicycles as dangerous to a girl’s virtue. However, at it’s core, this movie does a wonderful job of exploring what it’s like to be different and want other things to those around you.  It plays with our expectation of “normal” in a complex culture and one that is often hidden to us; yet, does it manages to do this in a rich and meaningful way.  A story about mothers and daughters, relationships in a society where men are allowed to take more than one wife and expectations whilst maintaining humor, this is a movie that will lift your spirit and make it soar

The great story is elevated by brilliant acting and great direction. Waad Mohammed who plays the delightful Wadjda is mesmerizing, funny and extremely likable whilst the beautiful Reem Abdullah who plays her mother is

amusing and perfectly poised as she portrays what it is like to be a modern woman in a not so modern place

So, if you’re asking yourself whether a movie about a girl wanting a bike is worth rushing out to go and see, I say RUN, This movie made me laugh and cry and educated me.   Welcome to one of my favorite movies of the year. I have fallen in love with this movie and it won’t leave me

Wadjda Trailer


A Hijacking | Review

How many times have you asked yourself the question “How much is a Life worth” and have you ever considered how that would change if you had to pay for it?  Tobias Lindholm’s movie A Hijacking elegantly captures the process of negotiation between a large Danish corporation with much on the line and Somali pirates who seem to have nothing to lose.

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 When the cargo ship MV Rozen is hijacked by Somali pirates in the Indian Ocean as it is heading for harbor the ship’s cook Mikkel and the engineer Jan who, along with the rest of the seamen, are taken hostage in a cynical game of life and death. With the demand for a ransom of millions of dollars, a psychological drama unfolds between the CEO of the shipping company and the Somali pirates.

The movie stars Søren Malling (“Borgen,” Talenttyven, A Royal Affair), Johan Philip Asbæk (Spies & Gilstrup, “Borgen,” A Family, ), Dar Salim (“Game of Thrones,” “Borgen,” The Devil’s Double, Submarino ), and Roland Møller (Northwest, R)

Lindholm (“Borgen,” The Hunt, Submarino, R) creates tension and raises the stakes without overdoing the action.  This is as much psychological thriller as it is a narrative of the perils faced by cargo ships on the open seas.  As the film unfolds slowly, tension builds to unbearable levels as we become totally enthralled and invested in what will happen to the crew.   Lindholm manages to keep us on the edge of our seats as we hope and pray that they will see their families again.  This film is gritty and realistic and whilst we experience the wonder of being on the open seas on a cargo ship to start with, we quickly get a sense of the claustrophobia experienced not only by the hostages as they are locked in a small space but also by those negotiating for their lives who also become hostages themselves.  Good acting and direction allow us to witness the journey of a smart business man who quickly learns that the same tricks that help you win in the business world do not help when you are trying to negotiate with psychopathic sociopathic hijackers

This film is a fascinating look at the things that bond people together and the relationship that hijackers and hostages often build with each other.

A HIJACKING be opening in select cities including New York, Los Angeles, Irvine (in Orange County) and San Francisco on Friday, June 21, 2013.  Check link below and local listings for play times

 

http://www.magpictures.com/dates.aspx?id=e0b17d74-6d43-44f7-8c91-802ed0d7e7a4

 

2012 Toronto Film Festival (Official Selection)

2012 Venice Film Festival (Official Selection)

2012 Tokyo International Film Festival (Official Selection)

2013 New Directors/New Films (Official Selection)

2013 Palm Springs International Film Festival (WON- Director to Watch)

2013 Robert Festival (WON- Best Film, Best Actor, Best Editor, Best Screenplay, Best Sound)

2013 AFI Fest (WON- Audience Award)

2012 Thessaloniki Film Festival (WON- FIPRESCI Prize, Golden Alexander Award)