Sneak Peek

Strike A Pose | Review

There are few pop songs that are as memorable as Madonna’s1990 hit VOGUE and along with it the iconic video that brought Voguing as a dance form into the mainstream conscience.  Jose Gutierez Xtravaganza and Luis Extravaganza were the vogue dancers and choreographers from the Harlem “House Ball” community who introduced “Vogueing” to Madonna and who later would become her main choreographers for the video and the Truth or Dare tour.
 
If you grew up in the era of MTV, not only will the words STRIKE A POSE make you wave your arms in the air and perhaps stick out your butt but this is also the name of the acclaimed documentary directed by Ester Gould and Reijer Zwaag abut seven young male dancers  (including Jose and Luis) – six gay, one straight who joined Madonna on her most controversial tour.  On stage and in the iconic film TRUTH OR DARE – one of the highest-grossing documentaries ever – they showed the world how to “Express yourself”, now, twenty-five years later, they reveal the truth about life during and after the tour. 
 
STRIKE A POSE is a fabulously candid documentary that reunites these sleek and effervescent dancers, exploring their lives after the tour and legal battles with Madonna, their glamorous and largely inspirational impact upon society, the horrific effects of HIV/AIDS during and since the 90’s and what it meant to participate in one of the most iconic and controversial tours of pop history. The film also explores what it’s like to overcome shame and find the courage to be who you are.
 
Watching people age over time is always a luxury and so this movie does a wonderful job of showing the promise that was and where these incredible dancers ended up.  As important as the story of the star is the story of those who get to bask in the fairy dust for a short period of time; It is clear that Madonna made a huge difference in these men’s lives and the short intense formative period of time that they spent with her was extremely meaningful for these men that left a long lasting effect.
 
The movie isn’t just a “Where are they now”, at times, it manages to go deep and uncovers the realities of youth, disease and even what the dark aftermath of fame (by association) can feel like.  Watching the genuine love and respect that remains between this group of talent after all of these years is beautifully captured and of course THAT song in the background will have you tapping your toes and clicking your fingers if not striking your own pose.
Following critical acclaim and successful premieres in Berlin and Tribeca, STRIKE A POSE comes to New York for its theatrical release at IFC on January 18, 2017, followed by its broadcast premier, an exclusive VOD release, and a home video release later in June to celebrate LGBTQ Pride month.  Check local listings: http://madonnadancers.com/req.php?req=static.php&page=where-to-see
 
 

Moonwalkers | Review

I LOVE conspiracy theories, Who killed JFK, Area 51 and of course one of my all time favorites The Apollo Moon Landing of 1969.

So what if Apollo 11 never actually made it and what if, in reality, Stanley Kubrick secretly shot the famous images of the moon landing in a studio, working for the US administration?

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This is the premise of the totally plausible conspiracy theory movie MOONWALKERS written by Dean Craig and directed by Antoine Bardou-Jacquet that takes us to swinging sixties London, where a stubborn CIA agent played by the delightful Ron Perlman (HELLBOY) will never find Kubrick but instead is forced to team up with the ever adorable Rupert Grint’s (HARRY POTTER) lousy manager of a seedy rock band to develop the biggest con of all time, in this riotous, high-tempo action-comedy.

Of course It’s a strange set of circumstances that lead our protagonists to meet, including one of their idiot friends who has a tendency to royally screw things up but when they do, there is undeniable chemistry between the pair and a sweetness mainly with the introduction of Robert Sheehan (THE MORTAL INSTRUMENTS, KILLING BONO) as the idiot friend who is equally huggable and slappable at the same time that forms the foundation of this recreational drug-induced caper of unbelievable proportions.

From it’s innovative psychedelic titles to the groovy sixties production, MOONWALKERS is a really fun and enjoyable movie which is both silly and thought provoking at times with great action and comedy.  Full of 70s clichés and nuanced yet likable bad guys on every corner, our anti-heros (complete in funky and colorful costumes), lead us from one absurd scene to another on their journey to complete an equally bizarre yet extremely important task

“The film is an action/comedy that combines what I love: fights and stupidity. I enjoy situations where two opposite characters must join forces to accomplish a common goal as it leads to the most hilarious conflicts” states Bardou-Jacquet

As trippy as the era it’s representing, this comedy of errors reminds us of the unresolved question that still plagues many of us after all these decades; was the moon landing real?

“Why would an audience be interested in a movie like this?  Bardou-Jacquet continues “Google “moon landing,” and add up the viewers interested in the conspiracy theory about it, and you’ll find millions of hits. All these people deserve at last the true story of how we “never” landed on the moon”

Of course, it also had me thinking about who would actually win in a standoff between America’s supreme CIA agents and England’s finest thugs?

MOONWALKERS enjoyed it’s premier at SXSW 2015 and will be released on January 15th.  Check local listings

San Diego Asian Film Festival 2015 (SDAFF 2015) – The Real Jewel in San Diego’s Crown

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Just over a month has passed since the annual San Diego Asian Film Festival closed it’s curtains and I’m still gobsmacked by all of the incredible movies that were screened.  For it’s sweet sixteenth session, the festival run by the Pacific Arts Movement screened over 130 films from 20 countries and many to record sell-out crowds. All of the beautifully and carefully curated movies had one thing in common – they were thought provoking, poignant and showed off the talents of diverse Asian filmmakers from across the world whilst showing us many of the cultural threads and different lives in the countries that make up the rich tapestry of the continent of Asia.

This is a recap of the coverage that we live tweeted and recorded on Facebook during the festival

If you live or find yourself in San Diego and enjoy movies, you owe it to yourself to get a ticket to the next festivalmiss india america

Some of Moviewallas favorites:

MISS INDIA AMERICA

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Directed by: Ravi Kapoor

Screenwriter:Ravi Kapoor and Meera Simhan

MISS INDIA AMERICA kicked off the festival and tells a story about Lily Prasad (Tiya Sirdar) who is a winner, and don’t let anybody tell you otherwise. Fresh off her valedictorian speech, Lily intends to continue living her storybook life according to “The Plan,” her meticulously-crafted scrapbook that ropes in her less-than-willing high school boyfriend Karim (Kunal Sharma). But when Karim is caught flirting with the reigning Miss India National, Lily is livid and takes aim at the crown to win Karim back, restore “The Plan” forever, and reaffirm her endless magnificence. Lily is appalled though when she finds that the path to glory is challenged by not just a drop-dead beauty of a nemesis (played by New Girl’s Hannah Simone), but also the internal nausea of having to win despite all consequences.

This is a smart and funny movie that transcends race and tells a story which is applicable to any nerdy girl who is threatened by the thought of losing her boyfriend to a model!  Most importantly  it is a feel good tale that reminds us that we are who we are, and deep inside there is a model waiting to get out in all of us.  Sassy and clever dialogue elevates the movie that crosses somewhere between Clueless and Legally Blonde, I can’t wait to see what this talented writing team brings us next

WONDERFUL NIGHTMARE

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Directed by: Hyo-jin Kang

Yeon-woo (played by Uhm Jung-Hwa, Dancing Queen, SDAFF ’12) has the complete bourgeoisie starter package. A slick new BMW. A mixed martial arts personal trainer. Rare red steaks and French wine for breakfast. And she is head legal counsel to the biggest, sleaziest company in town.

But if we know anything about Korean rom-coms, it’s that sudden shocking comas are attracted to the rich and bitchy as much as grizzly bears are attracted to salmon wearing nightgowns of honey.

An automobile accident lands Yeon-woo in heaven, but even death can’t keep her spirit down. Korean angels cut her a deal. Teleport down into the chores, credit limits, and complications of a shabby housewife for one month. Then she will be allowed to return to the glitz, glamour, and unscrupulousness of her old life.

There have been many movies that explore what it’s like to walk in another person’s shoes or bodyswap  and most often these fit squarely in the comedy genre e.g. Freaky Friday, Heaven Can Wait and most recently The Change-Up.  However, there are few movies that elegantly explore the emotion that goes with waking up as somebody else with a life that isn’t yours and is everything you didn’t want.  Welcome to the WONDERFUL NIGHTMARE; this is a deep and thoughtful look at what happens when a woman who seems to have it all wakes up in a life that she truly never desired and doesn’t want to be a part of.  This is a delightful movie that will have you laughing whilst reflecting on what it means to be human and what’s really important in life.

THE BEAUTY INSIDE

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Directed by: Jong-Yeol Baek

Screenwriters:Seon-jeong Kim, Jeong-ye Park and Kyung-hee Noh

Woo-Jin wakes up every morning with a different body. At first, it was a shock. Now, years later, he’s used to looking in the mirror and discovering a stranger. With only the companionship of a supportive mother and a highly-entertained best friend, Woo-Jin’s been forced into anonymity, working as a furniture designer taking orders from online clients he never has to meet. Falling in love is of course off limits. That is, until he meets E-Soo, a furniture saleswoman who makes him never want to fall asleep again.

From there, THE BEAUTY INSIDE becomes a most unusual romance, the kind that pushes its protagonists into the ultimate tests of love: can Woo-Jin be in a relationship with somebody who doesn’t recognize him? Can E-Soo feel security from a man who starts every day as a stranger? With all the magic of a good fantasy, THE BEAUTY INSIDE has the audience seeing the romantic comedy anew, much as E-Soo and Woo-Jin treat every one of their encounters like a rediscovery.

THE BEAUTY INSIDE is one of the most unique movies that explores the true nature of who you are and how this changes if you physically don’t recognize who you are in the mirror.  Stunningly shot with elegant dialogue, this film will leave you feeling like love truly can conquer all.  The most impressive thing about the movie is it’s female lead Hyo-ju Han who effortlessly captures our hero’s heart.

IT’S ALREADY TOMORROW IN HONG KONG

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Directed by: Emily Ting

Screenwriter: Emily Ting

Josh struggles with his lucrative job in finance, his practical-minded girlfriend, and his desire to become a novelist. Ruby, content with her job designing toys, imagines what she could be doing had she pursued her love of fashion design. Both are young American expats who happen to be on the same Hong Kong street when Ruby gets lost and Josh decides to help her find her way.

Soon though, their serendipitous meeting and stroll through the city leads to the kind of expat fantasy that seems to allow for limitless possibilities – even infidelity. Together, they begin to see their desires come within reach, however stymied by impracticality and fear of the unknown.

IT’S ALREADY TOMORROW IN HONG KONG elegantly and wistfully captures what happens when a spark is ignited between two people with an ocean separating them and the questions that arise when we find ourselves in a situation that we shouldn’t be in.  The chemistry between real life couple Jamie Chung and Bryan Greenberg as Ruby and Josh is electric and we find ourselves rooting for this would-be couple who have more than distance to potentially contend with.  Moviewallas caught a screening of this during LA Film Festival earlier in the year but the movie was so good that we couldn’t help ourselves watching a second time.

MOUNTAINS MAY DEPART

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Director: Zhangke Jia

Screen-writer: Zhangke Jia

At first, the latest from filmmaker Zhangke Jia appears deceptively simple, a step back perhaps, crude even. Why would the director of THE WORLD and STILL LIFE and most recently, the brutally unsparing Cannes winner A TOUCH OF SIN, want to make what seems a visually unkempt and thematically shallow love story. A girl in small-town China has to choose between the affections of her ambitious, pushy, city boss and her aggravatingly shy, local coworker. You wonder if the great Zhangke Jia has finally wandered into a genre – the romantic triangle – that is outside his grasp.

And then you spend the rest of the film realizing how wrong you were to doubt him in the first place. Because it is only after awhile that the ambitions of the movie become evident. And when they do, you sit back in awe. As this film jumps from the initial story set in 1999, to 2014, and then giddily to 2025! And here is why this film needs to be sought out by cinephiles, because even as the movie sprints 15 years ahead with each leap, it also literally opens up, with a widening aspect ratio. The screen widens with the passage of time!  And this was one of the most joyous surprises I witnessed in a cinema hall all year. And the widening is unqualified, as the film opens up thematically (it only lulled you at the start into thinking that this was a romantic melodrama), geographically (from rural China to Shanghai to Australia) and the scope of its reach (easily commenting on the big themes as the film progresses). The film also smartly avoids the rigors of traditional epic storytelling in which the very same characters are examined through a lifetime. Instead MOUNTAINS MIGHT DEPART concentrates, in the moment, on a specific character(s) during each time period. Yes, these characters are related, but the film has no interest in looping back to re-examine each of the original players from the first act.

The visionary filmmakers often tend to put all their cards on the table at once, aiming to dazzle you upfront, but they sometimes have a hard time sustaining that through the last act when things whimper to an end. I am more impressed by films which calculatedly build their fort and become increasingly more breathless on their way to the conclusion. MOUNTAINS MAY DEPART takes off in its last act, when it bravely somersaults into an unconventional (if not transgressive, for some) relationship between two new characters. How many filmmakers possess the bandwidth to grasp for so much.

In watching sons deal with the footprints of their fathers, and in its formal structure, this is like a smarter version of Derek Cianfrance’s THE PLACE BEYOND THE PINES. But no matter how you cut it, this is the work of a master.

The Riot Club | Review

Riot Club is no Downton Abbey however, it cleverly explores class, gender and economics in a modern-day England where the existence of a privileged “Old Boy’s Network” is often under-estimated.

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Filthy. Rich. Spoiled. Rotten. A band of overprivileged rich boys run wild in this savagely funny satire of money, sex and power. In the elite realm of Oxford University, no society is more exclusive than The Riot Club, the ultra-selective fraternity for Britain’s most privileged sons. When he’s recruited to join, down-to-earth first-year student Miles (Max Irons) is at first amused—but he’s about to get a taste of upper-crust entitlement at its ugliest when a hedonistic night of drinking and drugs spins out of control. The Hunger Games’ Sam Claflin co-stars in this deliciously dark look at boys behaving badly from the Oscar(R)-nominated director of An Education Lone Scherfig.  The movie is adapted for the screen by Writer Laura Wade from her play of the same name citing: “I think we are fascinated by that class, those of us who aren’t of it and I think we love watching rich people behaving badly”.

When all over the world the British Monarchy are loved and the presence of them almost envied, Riot Club explores the “Haves” and “Have little” along with the politics of the one percent in a country where young affluent boys are the heirs to debauchery, power, excess and a consequence of who they are born to vs what they will or won’t achieve; where as a result of deep routed nepotism, your family name can open up a lifetime of doors and quickly bury any of your mistakes should you make them.

Entitlement and breeding are a key theme throughout the movie as it explores rich boys behaving badly and rich boys who want to do something more than be known for who their Fathers or brothers are.  Palpable tension is at work throughout as this group of would-be playboys work incredibly hard to have a good time and leave a legacy.

Riot Club starts as a smart satirical comedy but quickly gets dramatic as ideas about right and wrong are pushed to the limit.  Sometimes a little tonally inconsistent, this movie does do a good job of examining what it means to belong and the limits you go to in order to protect it.  A look at life behind the walls of an age-old institution with often strange rituals, ultimately what I took away from this movie is that there are no limits to entitlement and the fact that often it’s not what you know but who you know

Check local listings for show times

Riot Club Trailer

Summer of Blood | Review

Halloween is upon us and with it comes a slew of scary movies; “Annabelle” “Dracula Untold” and “Horns” just opened or are about to.  However, if you are not a die hard fan of having your adrenaline levels peak in the dark or find that a good nights sleep escapes you after getting the bejeezus scared out of you then this may just be the movie for you.  Welcome to Summer of Blood

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Writer/director Onur Tukel turns in a hilarious performance as the monumentally lazy, socially oblivious and commitment-shy Erik Sparrow, who is dumped by his career-woman girlfriend (Anna Margaret Hollyman, White Reindeer) when he rejects her rather charitable marriage proposal. Feeling lost, he turns to a disastrous string of online dates that successively eat away at his already-deteriorating confidence until a lanky vampire turns him into an undead ladykiller. Soon, Eric is prowling the streets of Brooklyn in search of anything to satisfy both his maniacal sex drive and his hunger for blood.

Despite the fact that Eric is such a misogynist loser, Tukel shows skill in making the main protagonist incredibly likable; I couldn’t help but be on his side.  Helped by the witty dry comedy which runs through the movie both Eric and the rather ridiculous plot had me smiling and chuckling for the entire movie including a few belly laughs thrown in here and there.  The dialogue is hammy in places but mostly clever and smart and there is an interesting narrative about the lives we lead if you look for it. Anna Margaret Hollyman who plays Eric’s love interest plays her role perfectly, equally lovable and annoying all at the same time and is impressive in her ability to detest Eric so convincingly.

Summer of Blood is by no means as polished as other undead offerings like “Twilight” or “True Blood”  in fact at times at times this movie looks rather amateurish and even homemade, but that doesn’t make it bad.  I believe this hard working movie could turn into an underground cult classic in due course and I will certainly be lining up to watch this one again

Described as a horror comedy horror, this is more comedy than horror and definitely not a horrible comedy by any means.A collision of absurd, self-deprecating wit and existential curiosity, Summer of Blood is a hilarious horror-comedy with a clever bite all its own that starts with one of the best break up scenes ever right at the beginning of the movie and is definitely worth a watch

The film is releasing this Friday October 17th in select theaters and VOD.  Check local listings for a screening near you

Art and Craft | Review

This documentary begins with the quote “Nothing is original under the sun” however this definitely does not apply to the person who quotes it.  Mark Landis is an artist; a con artist for all intents and purposes and has been called one of the most prolific art forgers in U.S. history. His impressive body of work spans thirty years, covering a wide range of painting styles and periods that includes 15th Century icons, Picasso and even Walt Disney.

Landis makes an interesting protagonist in the movie Art and Craft, described in his youth as a “bright little boy but prone to be mischievous”, the little boy never quite leaves the screen as you are mesmerized watching this genius copying incredibly complex works of art, a talent that he discovered in his youth after visiting museums with his parents and copying from museum catalogues.  And whilst you may think that Landis may be in it for the money, this is far from the truth. Instead, Landis derives much pleasure and purpose posing as a philanthropic donor, a grieving executor of a family member’s will, and most recently as a Jesuit priest and has given away hundreds of works over the years to a staggering list of institutions across the United States.

 

 

The caper begins to unravel after he dupes Matthew Leininger, a tenacious registrar who ultimately discovers the decades-long ruse and sets out to expose his philanthropic escapades to the art world, Landis must confront his own legacy and a chorus of museum professionals clamoring for him to stop.

What is most enjoyable about the movie is the equal obsession demonstrated by both the forger and the man determined to stop him, like any good Super hero story, the latter needs his arch nemesis and quickly we realize that this movie isn’t actually about the art in question but about the mania of two men each obsessed with their own purpose.  At the end of it all though, I couldn’t help but wonder what would happen if this incredibly talented man did his own work?

ART AND CRAFT opens at Landmark’s Nuart Theatre in West Los Angeles this Friday, September 26th 
Check local listings for a screening near you

http://artandcraftfilm.com

Out in the Night | Los Angeles Film Festival 2014

Exactly what is the responsibility of the media in reporting news? In my opinion, news should be reported factually and in an unbiased fashion. However we all know that with the advent of syndicated news channels and the need for 24-hour news cycles, it is easy for smaller stories to escalate to larger ones and others to get sensationalized and out of control. Welcome to the movie Out in the Night, a new documentary by Blair Dorosh-Walther that examines the 2006 case of The New Jersey 4.

 

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Through the lives of four young women, Out in the Night reveals how their race, gender identity and sexuality became criminalized in the mainstream news media and criminal legal system.

The documentary skillfully tells the story of a group of young friends, African American lesbians who are out, one hot August night in 2006, in the gay friendly neighborhood of New York City. They are all in their late teens and early twenties and come from a low-income neighborhood in Newark, New Jersey. Two of the women are the focus – gender non-conforming Renata Hill, a single mother with a soft heart and keen sense of humor, and petite femme Patreese Johnson, a shy and tender poet. As they and their friends walk under the hot neon lights of tattoo parlors in the West Village, an older man sexually and violently confronts them. He says to Patreese “let me get some of that” as he points below her waist. When she says that they are gay, the man becomes violent and threatens to “fuck them straight”. He spits and throws a lit cigarette. Renata and Venice defend the group and a fight begins, captured by security cameras nearby. The man yanks out hair from Venice’s head and chokes Renata. Then, Patreese pulls a knife from her purse and swings at him. Strangers jump in to defend the women and the fight escalates. As the fight comes to an end, all get up and walk away. But 911has been called and the man involved has been stabbed. Police swarm to the scene as their radios blast out warning of a gang attack. The women are rounded up and charged with gang assault, assault and attempted murder. Three of the women plead guilty. But Renata, Patreese, Venice and friend Terrain claim their innocence. They are called a “Gang of Killer Lesbians” by the media. In activist circles they become known as The New Jersey 4.

One can easily forgive Dorosh-Walther for giving us a somewhat one-sided narrative given few people were initially advocating for the women and even fewer people have been able to hear the story from their side, but this is an important documentary to watch. Out in the Night will anger you, sadden you and frustrate you all at the same time and so it should because Justice should be genderless, raceless and sexless and yet we are led to believe time and time again that had these women been middle class heterosexual white women, their lives may have turned out very differently.

The incredible narrative that unfolds over a period of years beginning in 2006 through to present day and in some cases through many of the years that some of the women were incarcerated  will have you glued to your seat. Beyond the injustice however, the most endearing thing about this documentary is the women front and center of the debate, Renata, Patreese, Venice and Terrain, who have very graciously opened up their lives to us.

Out in the Night Trailer

The Amazing Spider Man 2 | First Look

Watch the new  Amazing Spider Man 2 trailer right here

 

Maleficent | First Look

We have a first look at the Maleficent trailer for you…Enjoy!

Le Week-End | Review

Having just returned from a vacation in the city of lights, I was both excited and delighted to watch the latest offering from Director Roger Michell (Notting Hill, Hyde Park on Hudson) and writer Hanif Kureishi (My beautiful Launderette, The Buddha of Surburbia) Le Week-End starring the inimitable Jim Broadbent, Lindsay Duncan and Jeff Goldblum. 

Broadbent and Duncan play a long-married couple Nick and Meg who revisit Paris for a long weekend for the first time since their honeymoon, in hopes of rekindling their relationship-or, perhaps, to bring it to an end.  Nick is reticent and wistful whilst Meg is demanding and take-charge.

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The movie excels at showing the couple flip-flop between harmony and disharmony to resignation and back again as they take stock and grapple with love, loss, regret and disappointment in their own very English way.  Tensions rise even further when Meg and Nick run into Nick’s insufferably successful old friend Morgan, an American academic superstar with a fancy Parisian address played by the delightful Jeff Goldblum.

The one thing that elevates this movie is watching veterans of the craft mastering subtle yet impactful acting.  I very much felt like a fly on the wall following Jim Broadbent and Lindsay Duncan playing a couple who have clearly had many decades together.  Their incredible chemistry even when they are fighting is mesmerizing to watch and I couldn’t decide whether I was routing for them to stay together or willing them to break apart.  Just at the point when you begin to feel a little more uncomfortable about being present during this couple’s unraveling, Jeff Goldblum brings some respite in the form of comedy.  His quirky yet intriguing character is just what we need as we need as we head into act three

Hanif Kureishi’s wonderfully poetic screenplay is admirable to watch.  Filled with witty dialogue and heartfelt conversation, this adds a layer of richness to this already beautifully performed movie

Overall, I enjoyed my weekend with this couple although I felt the movie was just shy of greatness.  Higher highs and lower lows would have made elevated this movie from very good to excellent.

Le Week-End will be will be opening on Friday 14 March at The Landmark in West L.A. and Angelika NY, Lincoln Plaza in New York.  Check local listings

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