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Full Listing of 2018 Tribeca Film Festival Coverage | #tribeca2018

Every April, the three Moviewallas arrive into New York City with gleaming eyes and smiles that won’t rub off our faces. We arrive to soak our needing bones in the offerings of the Tribeca Film Festival, wanting for good cinema since the end of the awards season earlier in the year.

This year our schedules dictated that we caught the back end of the film festival; we usually attend the festival in the early part. Being based in San Diego, and juggling other jobs, we can make it to New York for about a week every year, even though our hearts ache for more time at the festival. After having watched four, five, six films a day, our bodies start to exhaust, our droopy eyes start to crave for the littlest sleep, and we may start to lose a dash of the spring in our steps. But the greedy mind and the selfish heart wants for more films, but we have to turn around and leave.

Coming into the latter half of the festival, we worried a little this year that we might not be able to catch as many films as in the past. We feared that the best films will have already had their press screenings earlier in the festival. Turns out our worries were in vain; amongst the three of us, we watched 25 films at the festival. Upon returning back to San Diego, we rested our press badges with pride at our recording studio; it was another fulfilling year at Tribeca.

So as in every year, herewith is a full listing of all 29 films we covered at #tribeca2018. All of them were discussed during our four live from New York podcasts. And as always, before the alphabetical listing of all of the films we covered, here are the top festival favourites from each of the three Moviewallas.

Joe’s Top Films from the 2018 Tribeca Film Festival 

  1. OBEY
  2. THE ELEPHANT AND THE BUTTERFLY
Joe’s top picks from #Tribeca2018

Rashmi’s Top Films from the 2018 Tribeca Film Festival

  1. STUDIO 54
  2. DEAD WOMEN WALKING
Rashmi’s top picks from #Tribeca2018

Yazdi’s Top Films from the 2018 Tribeca Film Festival

  1. DEAD WOMEN WALKING
  2. DIANE
  3. THE ELEPHANT AND THE BUTTERFLY
Yazdi’s top picks from #Tribeca2018

And here is a full alphabetical listing of the films we covered at #tribeca2018 with links to the Tribeca film descriptions as well as to the specific podcast where each film was discussed:

 

  1. BOBBY KENNEDY FOR PRESIDENT, Day 1 podcast at 2:45 minutes
  2. DEAD WOMEN WALKING, Day 4 podcast at 16:20 minutes, Rashmi and Yazdi’s Top Tribeca pick
  3. DIANE, Day 4 podcast at 45:30 minutes, Yazdi’s Top Tribeca pick
  4. EGG, Day 2 podcast at 29:05 minutes
  5. ENHANCED, Day 2 podcast at 23:15 minutes
  6. IN A RELATIONSHIP, Day 2 podcast at 4:05 minutes
  7. IT’S A HARD TRUTH AIN’T IT, Day 1 podcast at 33:45 minutes
  8. MAPPLETHORPE, Day 4 podcast at 30:55 minutes
  9. MARY SHELLEY, Day 3 podcast at 42:35 minutes
  10. NIGERIAN PRINCE, Day 2 podcast at 40:40 minutes
  11. OBEY, Day 4 podcast at 36:15 minutes, Joe’s Top Tribeca Pick
  12. SATAN & ADAM, Day 3 podcast at 25:35 minutes
  13. SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND, Day 1 podcast at 17:20 minutes
  14. STUDIO 54, Day 3 podcast at 11:15 minutes, Rashmi’s Top Tribeca Pick
  15. THE AMERICAN MEME, Day 3 podcast at 31:45 minutes
  16. THE BLEEDING EDGE, Day 2 podcast at 11:50 minutes
  17. THE DARK, Day 4 podcast at 25:15 minutes
  18. THE ELEPHANT AND THE BUTTERFLY, Day 3 podcast at 17:40 minutes, Joe and Yazdi’s Top Tribeca Pick
  19. THE FEELING OF BEING WATCHED, Day 3 podcast at 2:10 minutes
  20. THE FOURTH ESTATE, Day 4 podcast at 5:30 minutes
  21. THE GREAT PRETENDER, Day 1 podcast at 13:45 minutes
  22. THE PARTY’S JUST BEGINNING, Day 1 podcast at 28:20 minutes
  23. TINY SHOULDERS: RETHINKING BARBIE, Day 1 podcast at 8:00 minutes
  24. TO DUST, Day 1 podcast at 23:15 minutes
  25. UNTOGETHER, Day 2 podcast at 51:15 minutes

 

Until the year next, goodbye Tribeca!

 

 

Septembers of Shiraz | Review

If you are feeling a touch of summer sequelitis and looking for something powerful and thrilling to watch then SEPTEMBERS OF SHIRAZ is an important must see movie.

Set during the 1979 revolution in Iran SEPTEMBERS OF SHIRAZ is the harrowing story of a secular Jewish family as they fight for their lives in an attempt to escape what is going on around them.  Based on true events with poignant and affective performances by Academy Award® winner Adrien Brody, and Academy Award® nominees Salma Hayek-Pinault and Shohreh Aghdashloo, SEPTEMBERS OF SHIRAZ illustrates the impact of political upheaval on ordinary people and gives us an incisive examination of a troubled moment in history.

shiraz

Expertly directed by Wayne Blair this movie brings droves of tension in what ultimately becomes an adrenalin charged cat-and-mouse battle of wills.  SEPTEMBERS OF SHIRAZ is moving and both topical and relevant to current world events.  In revealing what many families sadly encountered over 35 years ago, the genius of this movie lies in its ability to relate the events of that time to experiences that are tragically being suffered by many in a number of countries around the globe today.

The movie cleverly reminds us that the victims of one political party’s agenda versus another are the very people who are promised their protection whilst the accompanying pollution of such communities who ultimately get divided by religion, class and economic factors often end up being the casualties of promised revolutions.

SEPTEMBERS OF SHIRAZ is adapted by screenwriter Hanna Weg from Dalia Sofer’s bestselling novel.
SEPTEMBERS OF SHIRAZ opened in New York, Los Angeles, and additional cities on Friday, June 24, 2016.  please check local listings

Moonwalkers | Review

I LOVE conspiracy theories, Who killed JFK, Area 51 and of course one of my all time favorites The Apollo Moon Landing of 1969.

So what if Apollo 11 never actually made it and what if, in reality, Stanley Kubrick secretly shot the famous images of the moon landing in a studio, working for the US administration?

MOONWALKERS_Theatrical Poster

This is the premise of the totally plausible conspiracy theory movie MOONWALKERS written by Dean Craig and directed by Antoine Bardou-Jacquet that takes us to swinging sixties London, where a stubborn CIA agent played by the delightful Ron Perlman (HELLBOY) will never find Kubrick but instead is forced to team up with the ever adorable Rupert Grint’s (HARRY POTTER) lousy manager of a seedy rock band to develop the biggest con of all time, in this riotous, high-tempo action-comedy.

Of course It’s a strange set of circumstances that lead our protagonists to meet, including one of their idiot friends who has a tendency to royally screw things up but when they do, there is undeniable chemistry between the pair and a sweetness mainly with the introduction of Robert Sheehan (THE MORTAL INSTRUMENTS, KILLING BONO) as the idiot friend who is equally huggable and slappable at the same time that forms the foundation of this recreational drug-induced caper of unbelievable proportions.

From it’s innovative psychedelic titles to the groovy sixties production, MOONWALKERS is a really fun and enjoyable movie which is both silly and thought provoking at times with great action and comedy.  Full of 70s clichés and nuanced yet likable bad guys on every corner, our anti-heros (complete in funky and colorful costumes), lead us from one absurd scene to another on their journey to complete an equally bizarre yet extremely important task

“The film is an action/comedy that combines what I love: fights and stupidity. I enjoy situations where two opposite characters must join forces to accomplish a common goal as it leads to the most hilarious conflicts” states Bardou-Jacquet

As trippy as the era it’s representing, this comedy of errors reminds us of the unresolved question that still plagues many of us after all these decades; was the moon landing real?

“Why would an audience be interested in a movie like this?  Bardou-Jacquet continues “Google “moon landing,” and add up the viewers interested in the conspiracy theory about it, and you’ll find millions of hits. All these people deserve at last the true story of how we “never” landed on the moon”

Of course, it also had me thinking about who would actually win in a standoff between America’s supreme CIA agents and England’s finest thugs?

MOONWALKERS enjoyed it’s premier at SXSW 2015 and will be released on January 15th.  Check local listings

The Riot Club | Review

Riot Club is no Downton Abbey however, it cleverly explores class, gender and economics in a modern-day England where the existence of a privileged “Old Boy’s Network” is often under-estimated.

riot club

Filthy. Rich. Spoiled. Rotten. A band of overprivileged rich boys run wild in this savagely funny satire of money, sex and power. In the elite realm of Oxford University, no society is more exclusive than The Riot Club, the ultra-selective fraternity for Britain’s most privileged sons. When he’s recruited to join, down-to-earth first-year student Miles (Max Irons) is at first amused—but he’s about to get a taste of upper-crust entitlement at its ugliest when a hedonistic night of drinking and drugs spins out of control. The Hunger Games’ Sam Claflin co-stars in this deliciously dark look at boys behaving badly from the Oscar(R)-nominated director of An Education Lone Scherfig.  The movie is adapted for the screen by Writer Laura Wade from her play of the same name citing: “I think we are fascinated by that class, those of us who aren’t of it and I think we love watching rich people behaving badly”.

When all over the world the British Monarchy are loved and the presence of them almost envied, Riot Club explores the “Haves” and “Have little” along with the politics of the one percent in a country where young affluent boys are the heirs to debauchery, power, excess and a consequence of who they are born to vs what they will or won’t achieve; where as a result of deep routed nepotism, your family name can open up a lifetime of doors and quickly bury any of your mistakes should you make them.

Entitlement and breeding are a key theme throughout the movie as it explores rich boys behaving badly and rich boys who want to do something more than be known for who their Fathers or brothers are.  Palpable tension is at work throughout as this group of would-be playboys work incredibly hard to have a good time and leave a legacy.

Riot Club starts as a smart satirical comedy but quickly gets dramatic as ideas about right and wrong are pushed to the limit.  Sometimes a little tonally inconsistent, this movie does do a good job of examining what it means to belong and the limits you go to in order to protect it.  A look at life behind the walls of an age-old institution with often strange rituals, ultimately what I took away from this movie is that there are no limits to entitlement and the fact that often it’s not what you know but who you know

Check local listings for show times

Riot Club Trailer

Summer of Blood | Review

Halloween is upon us and with it comes a slew of scary movies; “Annabelle” “Dracula Untold” and “Horns” just opened or are about to.  However, if you are not a die hard fan of having your adrenaline levels peak in the dark or find that a good nights sleep escapes you after getting the bejeezus scared out of you then this may just be the movie for you.  Welcome to Summer of Blood

th-8

Writer/director Onur Tukel turns in a hilarious performance as the monumentally lazy, socially oblivious and commitment-shy Erik Sparrow, who is dumped by his career-woman girlfriend (Anna Margaret Hollyman, White Reindeer) when he rejects her rather charitable marriage proposal. Feeling lost, he turns to a disastrous string of online dates that successively eat away at his already-deteriorating confidence until a lanky vampire turns him into an undead ladykiller. Soon, Eric is prowling the streets of Brooklyn in search of anything to satisfy both his maniacal sex drive and his hunger for blood.

Despite the fact that Eric is such a misogynist loser, Tukel shows skill in making the main protagonist incredibly likable; I couldn’t help but be on his side.  Helped by the witty dry comedy which runs through the movie both Eric and the rather ridiculous plot had me smiling and chuckling for the entire movie including a few belly laughs thrown in here and there.  The dialogue is hammy in places but mostly clever and smart and there is an interesting narrative about the lives we lead if you look for it. Anna Margaret Hollyman who plays Eric’s love interest plays her role perfectly, equally lovable and annoying all at the same time and is impressive in her ability to detest Eric so convincingly.

Summer of Blood is by no means as polished as other undead offerings like “Twilight” or “True Blood”  in fact at times at times this movie looks rather amateurish and even homemade, but that doesn’t make it bad.  I believe this hard working movie could turn into an underground cult classic in due course and I will certainly be lining up to watch this one again

Described as a horror comedy horror, this is more comedy than horror and definitely not a horrible comedy by any means.A collision of absurd, self-deprecating wit and existential curiosity, Summer of Blood is a hilarious horror-comedy with a clever bite all its own that starts with one of the best break up scenes ever right at the beginning of the movie and is definitely worth a watch

The film is releasing this Friday October 17th in select theaters and VOD.  Check local listings for a screening near you

Art and Craft | Review

This documentary begins with the quote “Nothing is original under the sun” however this definitely does not apply to the person who quotes it.  Mark Landis is an artist; a con artist for all intents and purposes and has been called one of the most prolific art forgers in U.S. history. His impressive body of work spans thirty years, covering a wide range of painting styles and periods that includes 15th Century icons, Picasso and even Walt Disney.

Landis makes an interesting protagonist in the movie Art and Craft, described in his youth as a “bright little boy but prone to be mischievous”, the little boy never quite leaves the screen as you are mesmerized watching this genius copying incredibly complex works of art, a talent that he discovered in his youth after visiting museums with his parents and copying from museum catalogues.  And whilst you may think that Landis may be in it for the money, this is far from the truth. Instead, Landis derives much pleasure and purpose posing as a philanthropic donor, a grieving executor of a family member’s will, and most recently as a Jesuit priest and has given away hundreds of works over the years to a staggering list of institutions across the United States.

 

 

The caper begins to unravel after he dupes Matthew Leininger, a tenacious registrar who ultimately discovers the decades-long ruse and sets out to expose his philanthropic escapades to the art world, Landis must confront his own legacy and a chorus of museum professionals clamoring for him to stop.

What is most enjoyable about the movie is the equal obsession demonstrated by both the forger and the man determined to stop him, like any good Super hero story, the latter needs his arch nemesis and quickly we realize that this movie isn’t actually about the art in question but about the mania of two men each obsessed with their own purpose.  At the end of it all though, I couldn’t help but wonder what would happen if this incredibly talented man did his own work?

ART AND CRAFT opens at Landmark’s Nuart Theatre in West Los Angeles this Friday, September 26th 
Check local listings for a screening near you

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